Contributor Biographies #7

Carl Larsen, H. Alan Kantrud, Susan Fishel, Kent Smith and Kay M Purcell

These biographies are shown in the order in which they were received. Use Previous and Next at the top and bottom of each page to move through them, or pick a name from the list of all biographies.


Carl Larsen

Born in Iowa in the year of 1940. In 1947 I was forcibly relocated to west Texas. (Parents do that sort of thing) After much effort on the part of parents and teachers finally graduated in 1959. The next morning I joined the Navy as I did not have anything else to do. Twenty years six months twelve hours and fourteen minutes later I figured out that this wasn't what I wanted to do so I left. During this time I acquired a wife and five daughters. I opened a Diner and within nine months managed to run it into the ground and left town just ahead of the creditors.

I spent the next three years doing this and that. ( warehouseman, dishwasher, and last but not least completely unemployed) During this period I became single again due entirely to my own fault. As a last resort I became a Cab Driver in the LA area and managed to save up and bought my own Cab Company. After 15 years I had major heart problems and am now "retired".

After reading the other Bios I feel slightly out of place as I do not have all the academic credentials to list but I have a good grasp of reality. I will not list a lot of interest as I would like to keep it open to learn more from others and not be channeled into one or two areas.

H. Alan Kantrud

hmm. do i make it up as i go along or tell some semblance of the truth...ah, well, the truth is interesting enough{s}

i am thirty. i live (currently) in minneapolis after having been flooded out of grand forks north dakota a few years ago. i am approaching the end of my second full-year as a licensed attorney. i prosecute criminals at the municipal level (anything lesser than felonies) and do a wide variety of other civil work as well. a brief yet intense career as a professional photographer had me living in new hampshire for a bit before college, which consisted of seven long years in grand forks. now i'm a skinny country kid turned city-slicker.

no kids. no wife. dog got hit by psycho farmer-kid driver and died a few years ago. sounds like a country music song, altho i listen mostly to the blues.

i grew up with fountain pens lying around the house. mom used 'em to write missives to her relations and my memories of her filling her cartridges with a syringe and a bottle of skrip (she was WAY to scotch to buy new cartridges) are vivid. i paid the pen no-mind otherwise, but loved mechanical pencils.

enter about 4 years ago when a mentor/friend/i-wish-my-kids-liked-the-stuff-i-do-type introduced me to, yes, you guessed it, a 51, in buckskin, with a fine nib. i was hooked. i have coined the phrase "little works of art that work" to nutshell to the uninitiated why i collect pens and b/c it describes what i feel is true.

my pen collecting style is what i refer affectionately to as 'bottom-feeding;' i don't think i've ever paid more than 75 bucks for anything and most would come in under 25. mining antique malls, estate sales and innumerable flea markets has been fun, but time-consuming and often frustrating. collecting in the upper midwest yields mostly parker and sheaffer's finds, especially given the proximity of both companies to this area. but i've done fairly well. my collection includes nothing but vintage stuff, the latest pens coming from the sixties...lamy 2000; parker 75's; mb's and my earliest from the single digits this past century...eye-droppers and early bchr offerings from the big three. rare and cheap include a parker true blue, a parker vest pocket in lapis, and a waterman's 56 red ripple...all under thirty bucks.

other than that, i have a passion for just about anything that catches my fancy. i enjoy antiquarian books, woodworking, my marine aquarium, foreign languages, backpacking, and still enjoy jumping around on the mountain bikes i used to race. i am also a 'chilehead' and enjoy cooking fiery cuisine. last but not least would be my lifelong love of hunting and shooting...on the off season i am on a 'sporting clays' league and at this time of year i am usually out looking for the next grouse bound for the stewpot{s}.

happy hunting to all and many thanks to pentrace for this very fun opportunity to expose ourselves...well, uh, describe ourselves, anyway. and as i am (at this point) at the bottom of this list, i have to applaud those folks above me. quite an eclectric and accomplished mix we are!


Susan Fishel

My name is Susan Fishel. I am pen collector and a snail wannabe, so here’s my pen-oriented bio. I grew up in Nebraska in a small town where we knew not only everyone’s names but the names of their dogs and cats and cows. It was the same little town that my mom grew up in, and her parents grew up in, and her grandparents helped establish. I was not a full-time feral child, only in the summers, and then I made an exception for the bookmobile when it came to town. I’ve tried other states, but Nebraska is quiet and unhurried, comparatively, and so am I.

To fund my pen hobby, I work for Ameritrade as a technical writer. I became a technical writer about 15 years ago -- what else can you do with a degree in philosophy -- after trying a number of other ‘careers.’ I’ve been a paraprofessional librarian, industrial engineering tech, cocktail waitress, drafter, security guard, switchboard operator, bookkeeper, office manager, help desk guru, and cashier among other things.

My first fountain pen was a yellow Sheaffer school pen filled with turquoise ink. I was in the third grade. I bent the nib. Before the late, lamented Sheaffer, though, my sisters and I had feather pens. My mother would trim pheasant tail feathers with a razor blade and set a bottle of Skrip in the middle of the table. We would suit up -- in my dad’s old shirts worn backwards or my mom’s aprons tied around our necks -- and have at it. Feather pens and Big Chief tablets aren’t the best of matches. We had better luck with the layers of newspaper Mama spread on the table. Other pen memories include engraving my dad’s name on his Eversharp with a straight pin. I have the pen. He must have used it after the artwork; it’s entirely brassed.

The next pen was a lady Sheaffer I with a porpoise nib that I used in college for notes. After a log dry spell -- not enough money for pens -- I acquired a couple of Vectors, and it’s been a free fall through pendom since then.


Kent Smith

I've loved fountain pens since I bought my first Esterbrook when I was a fifth grader. I'm old enough (63)to remember dip pens and inkwells in school desks (third and fourth grades). I think what pen and ink represented to me was the forlorn hope that someday, somehow my awkward lefthanded scrawl might become presentable at last. I pursued that chimera with several Esterbrooks throughout high school and college, then with a Sheaffer Snorkel I'd received as a high school graduation present.

After college I did a masters and doctorate in Chinese history. I acquired and prized low-end Montblancs and a Pilot while studying and traveling in Taiwan, Japan, and Hong Kong. (In those days the People's Republic of China was even more inaccessible than the dark side of the moon). I then taught Chinese history at a liberal arts college for seventeen very happy years. They were also years in which Sheaffer cartridge fountain pens adorned the linings of every one of my tweed jackets with large, gaudy blue and red ink stains.

At forty-four having spent every single year of my life since the age of five in school, I went off to theological seminary. (Actually, I'd been pondering doing so for the previous twenty-five years). I was ordained an Episcopal priest in 1985. I resigned my tenured professorship and for the past fourteen years have been rector of a suburban Connecticut parish. Our town is about an hour and a half from New York (and FPH and Joon). If I were any closer to those emporia, I might have to ask you to visit me in debtors' prison!

My wife and I met and married thirty years ago when we were faculty colleagues. Our two daughters are in their twenties, and both are preparing for careers in social work. I'm a compulsive reader, mainly history and nineteenth century novels. I love travel, photography, and classical music. Of the latter I am, alas, a consumer only, not even an occasional producer.

My current bout of stylophila began when my last Montblanc gave up the ghost a few years ago. A young clerk at Bob Slate's in Cambridge, MA sold me a Waterman Preface (ultra dependable if unexciting) telling me that it was a better pen and a considerably lower price than the bottom of the line Montblanc they had in stock. He was right. I went on from there with Cross, Sheaffer, Caran d'Ache, Pelikan, Stipula, Namiki, Omas....All of you on this board (and IkonPen) have stoked my curiosity and acquisitive fever to perilous levels by your constant incitement. I also think you're a hoot! Thanks!


Kay M Purcell

My first pen was an Esterbrook in grade school. I was not allowed to write with ballpoints until I got to college. I hated that Esterbrook (I have no idea what nib it had and didn't eve know there were choices until I joined the Zoss list!)Kay M Purcell and threw it away as soon as I could. So what am I doing among this bunch? Well when my two kids were toddlers and no longer needing constant care, I needed something else to do. I read an ad entitled "Improve Your Handwriting." Well, up until college the only two subjects I ever received Unsatisfactory in were handwriting and spelling. (In college I added a couple of Phys Ed classes to the list.) So, I decided to give it a try, and sent in my money. I got a wonderful book by Eagers (I think it was) and a pen holder and a bunch of Speedball nibs. I never mastered the dip pens, but before I totally gave up, I got an ad in the mail for a Platignum pen. Got one of those. Better than dip pens, but still not good. I got an ad in the mail for an Osmiroid. Got one of those. Better than the Platignum, but still not good. Then I got an ad in the mail (boy, was I on the sucker lists!) for Pelikan 120 made by the "high end pen maker." I had no idea what a "high-end pen" was, but I ordered one any way. Think I paid about $50 and we ate a lot of beans that month. But ... it was love at first write.

That pen did all of my correspondence for 25 years. Then when we had more money, I started to wonder what a "high end pen" was and if I could maybe replace it with one with a gold nib, instead of a plated one. I started watching for ads and answering anything that looked promising. Eventually a Fahrney's catalog ended up in my mail box and I thought I had died and gone to heaven. But Pelikan did not make a gold Italic nib :-(. Parker did. I started on my quest for the perfect replacement. By now I had noticed the cracks in the end cap and I wanted to retire the trusty 120 to prevent further damage. So, I started accumulating pens in my search for that perfect one. I'm still searching ....

However, in the mean time I discovered ebay, the two Zoss lists (there used to be two), and Internet pen stores. And I realized that I had a collection and that I was not alone. My accumulation as well as knowledge has grown significantly. Thanks to all of you knowledgeable folk who are so willing to share your expertise.

When I am not doing pens, I am a Visiting Instructor in Electrical Engineering at Southern Illinois University. I teach the capstone course, Senior Electrical Engineering Design, plus whatever is left over after everyone else gets what they want. I have been "visiting" long enough to be able to retire any time I want. :-)

I live with my husband of 38 years, two dogs, four cats, and occasional litters of kittens that pass through on their way to good homes. Our two children are grown and on their own, but not married yet. I also collect miniature figurines of cats; I have more of them than pens, but they are less expensive. I have enough pocket knives and playing cards to be collections, but they are more like accumulations than collections: very eclectic and totally unorganized.